LAS VEGAS! Best foreign feature. Spotlight international filmfestival.
TORONTO! The Portrait Best experimental at Toronto Film & Script Awards.
TOKYO! Best experimental at Tokyo Cinema Awards.
Stollar Bollar are now discussing distribution with: https://www.spotlightfeaturefilms.com/
LIAn PANORAMA. In addition to our premiere at HYPNOS on November 21, we return to Malmö on December 7 for the artfilmfestival LIAn PANORAMA. This year's theme: "Dreams and other realities" LiAn Film Festival was started in December 2021 by the artist duo LiAn Art Duo. The festival is made with the support of Kulturrådet, WIFT Sweden and Panora.
TAKE A LOOK AT OUR TRAILER: HÄR!
Screenings from 21 of November 2024.
Scroll down for info in Swedish.
The Portrait is inspired by Bergman's Scenes from a Marriage, but here the parties are not married to each other but to others, which creates the film's moral dilemma. THE PORTRAIT is a chamber play about falling into passion in the midst of life, choosing to stay apart because both are in other relationships, and then reuniting to unravel what really happened. Can love survive time and space?
The film Portrait is about elusive memories, but also about how artists use the outside world and each other to transform personal experience into art.
As Iris and Henry: Malin Morgan and Lars Andersson.
Excerpt from an interview with Maria Domelöf, GP.
"Iris is planning to marry her partner and wants to find out what Henry is after - deep down. So she accepts the proposal, and travels to the artist's studio. What I want to explore is what kind of fantasies they have about each other, exactly as Iris says: "It feels like there are four people in here: you and
my image of you, and me and your fantasy of me." "What images do we project on each other when it comes to love and desire - and when does the drive turn into unhealthy obsession?...At the same time, she artistically digs further into the dark labyrinths of intimacy, which resulted in the book "Nämare Nu" and the film "The Portrait"."
A review by Kulturtidskriften BOBORG after a special screening: "...There is a deliberate script but it is up to the actors to bring it to life. Malin Morgan plays Iris. She is a skilled actor who can turn her face and figure into a scene. There we see all the conflicting emotions her character carries and deals with in that incompatible way we humans try to bring together in our lives. Lars Andersson makes Henry a person with self-awareness, or rather the lack of it... ...He makes Henry a person with a romantic view of life and above all of art. I really enjoy both of their performances.... The experienced actors have the ability to let feelings of doubt, surprise and anguish fill the situation with life and drama. And much of the film's quality is based on the fact that it works so well...These are beautiful and difficult images that here become a metaphor for memory...There are also scenes of artists working and moving toward their subject with intuitive purposefulness. It provides a connection between art and life."
The project is done outside of traditional funding because we experimented with a mentorship, i.e. we have mixed established and non-established younger artists. Dare to experiment and search for a common language was the basic thesis throughout the process.
We toured with talks about alternative processes before the film was finished. Guests from different parts of the art and filmworld talked about their choices and journeys. The meeting points took place at different locations in Sweden over the course of a year and the aim was to gain insight into processes that do not always follow the templates for how to create art and stories. We wanted to create a place where we investigate where the interface between artistic film and the climate of the industry takes place. The way we tell stories is changing. We see two movements, a commercialization and an attraction to art film. Our world is transforming at the same time and concepts such as fake news have become part of our reality. But is it storytelling or rhetoric? How do you create authentically in this new world? How do you reach an audience? We wanted to share the experience.
For writer Petra Revenue, the basic idea of the project was to create a story for two platforms. A book about two characters' fantasies about each other before and during a meeting. As well as a film about the same meeting. Which then only contains the dialogue, the conversation between the characters. What remains of the inner journey? How much of the flashbacks and fragments are actual memories?
Golaleh Farhang Azad (born 1981) is a producer and filmmaker, based in Gothenburg. She has a background in journalism, and has, among other things, worked at Sveriges Radio before her interest in film took hold. Golaleh was born in Tehran, migrating to Sweden at the age of 5. After working as a journalist for Swedish Radio and newspapers, she got into filmmaking through her travels to Afghanistan.
After studying at HDK-Valand, she has produced the short films Flyttfåglar (Director: Lisa Meyer, 2021), about an undocumented family forced to move, Kaleidoscope (Director: Matilda Wikingson, 2022), about Matilda traveling to London where her little sister is trying to break through as a model, and Reality Check (director: Simone Norberg, 2022), where dreams and boundaries in reality TV are in focus. Azad just finished her first shortfilm BROTT, and it was in competition in Tempo filmfestival, in Sweden. She just finished her first shortfilm BROTT 8937 and it was in competition in Tempo filmfestival, in Sweden. Ans she is working with 2 featurefilms at the moment as well as working on award-winning photographer Tobias Dahlin's upcoming film, as an editor.
Since her theatrical debut, Petra Revenue (born 1965) has written some twenty plays, several of which have received critical acclaim. These include The Least You Can Ask For (bilingual, Farsi/Swedish), The Dancer’s Woman (multicultural ensemble) and Valkyria (radio play that premiered on Swedish National Radio P1). When the war came to Partille (Stadsteatern in Gothenborg) and The secret ingredient (created by 300 collected dreams with co-writer Karin Blixt)
One of her most recent plays Bardo was created in Iraqi/kurdistan, where she has a long-term collaboration with the Kurdish Fine Art Society. She also did television in the region on the subject of women, honor and courage. In 2006 Revenue’s first book was published, a collection of short stories nominated for Swedish National Radio’s Short Story Award, an award that she won in 2009 with “The Best View” (originally published in an anthology for the humanitarian fundraising drive, Children of the World). She has continued to write in all genres. Revenue began to write for film and television with the TV drama The Big Theater for Swedish National Television (SVT) 2001. Since then she has written a wild mix, from screenplays for Henning Mankell’s Wallander to her own debut feature film Almost Elvis, where for the first time she combined her two genres film and theatre. Almost Elvis was selected for Sao Paulo Film Festival and the Mexico International Film Festival among others. Also shown on Swedish television, canal+...among other channels. She wrote the script for the film The Ice Dragon. Among other festivals it was entered in competition at the youth section of the Berlinale. 2017 she wrote and directed (together with Samir Arabzadeh) Meaty Martha, an animation for kids, financed by the swedish filminstitute and Swedish television.
The producer of the PORTRAIT is the cultural association STOLLAR BOLLAR, with us on the trip are GÖTAFILM, STEVALI BOKFÖRLAG, Gothenburg film studios. Artists from KKV. Götheburgo, Mediaverkstan, Tchikana films and studio Vladimir Stoces and the city of Gothenburg.
VI RESER MED FILMEN tillsammans med gäster och arrangemang från 21 NOVEMBER 2024 till mitten av mars 2025.
21 NOVEMBER MALMÖ
27 NOVEMBER ROY GÖTEBORG
30 NOVEMBER LITTERATURHUSET (ej hel film, samtal om processen)
7 DECEMBER MALMÖ LiAn Filmfestival biograf PANORA.
10 DECEMBER KULTURHUSET KLARABIOGRAFEN STOCKHOLM
15 JANUARI KONSTHALLEN TROLLHÄTTAN
I rollerna som Iris och Henry: Malin Morgan och Lars Andersson.
Konstnären Henry bestämmer sig för att ringa upp sin gamla förälskelse Iris efter tio år, eftersom han befinner sig i en skaparkris. Han tror det kan lossna om han får måla hennes porträtt. Författaren Iris har just drabbats av en hjärtattack men bestämmer sig ändå för att tacka ja till förslaget, trots att hon bävar för vad mötet kan väcka för känslor. Vad kan finnas kvar mellan två människor som attraherats av varandra mitt i livet men som valt bort den andre på grund av pågående relationer? Kan längtan överleva tid och rum och går den i så fall att porträttera? Detta är en berättelse om kärlek och om hur vi fantiserar om andra, men också om hur konstnärer använder varandra för att göra konst av personliga erfarenheter.
Regi: Golaleh Azad och Petra Revenue. Musik: Björn Knutsson Text till musik: Karin Blixt. Foto: Fabian Engström. Manus: Petra Revenue. Klipp: Golaleh Azad. Ljuddesign: Anders Billing. Undervattensfoto samt omslagsfoto bok: Tobias Dahlin. Ljudteknik: Sara Alexandersson.
Vi besöker gärna sammanhang där filmen visas om det är praktiskt möjligt, ta kontakt i god tid om så önskas. Du kan skriva direkt till mig om du har frågor om filmen eller träffpunkterna vi arrangerar. Adress: [email protected]
Biografer och visningsintresserade, klicka på länkarna nedan, för visningar i slutet av 2024 samt våren 2025.
Om du vill veta mer om Henry och Iris i filmen PORTRÄTTET kan du ta del av deras inre tankar och brevväxling i Närmare Nu. Verken kompletterar varandra men än samtidigt helt fristående.
Vi pratade alternativa processer och indiefilm & konst under uppstartsprocessen.
Gäster från olika delar av konst och filmvärld berättade om sina val och resor. Träffpunkten ägde rum på olika platser under ett års tid och syftet var att få inblick i processer som inte alltid följer mallarna för hur man skapar.
Vi vill skapa en diskussionsplattform där vi undersöker var gränssnittet mellan konstnärlig film och branschens klimat går. Sättet vi berättar historier förändras. Vi ser två rörelser, en kommersialisering och en dragning åt konstfilm. Vår värld transformeras samtidigt och begrepp som fake news har blivit en del av vår realitet. Men är det storytelling eller retorik? Hur skapar man autentiskt i denna nya värld? Hur når man ut? Vi vill dela erfarenhet.
PORTRÄTTETS huvudman är STOLLAR BOLLAR, med oss på resan är GÖTAFILM, STEVALI BOKFÖRLAG, Gothenburg filmstudios. Konstnärer från KKV. Götheburgo, Mediaverkstan, Tchikana films samt Vladimir Stoces och Göteborgs stad. Romanen kommer att ges ut av STEVALI våren 2024.